Saturday, April 3, 2010
At this stage, I'm still looking for the bigger shapes of values/colors, which should make the ridge interesting. Through this "finding" process, I inevitably painted wet-in-wet, which is also rare in my previous accustomed process of landscape painting in this size.With new process, I'm skipping some middle steps I regularly repeat until I feel much comfortable with the lager shapes, including photographing the painting and comparing with the reference photo. This would speed up the entire painting process a lot. I hope.