Although I nomally wouldn't get into the details at this early stage of a painting, I decided to take a different approach since I haven't touched this for almost a month.
First, I took an approach learned at Andy Eccleshall's work shop; work from the furthest toward the near end. Second, I already started working on the details of the background mountains in wet-in-wet approach. But still relatively thinner layers. I'm sure I have to put more layers on the mountains and sky later. But at that time it would be drier so easier to put a layer on top.
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