Sunday, March 20, 2016
I'm back to Fisher Peak
I've been thinking which way I want to go; like Mike Wise putting more contrast between values and colors, or like Norman Lundin using limited palette and not much color variation but subtle value shift to highlight limited areas. I haven't made up my mind, but likely in-between.
So I made the mid to foreground much darker since they're actually shadowed by clouds and also much closer to the viewers. I might want to make those limited sun lit area lighter to create contrast. Probably I need to make shapes clearer in the mid-foregrounds.